Uneven Steven Has Been On Hiatus

Since late last year, I have been working on a project that did not afford me the time to blog, nor even to delve into pop culture or political debate.

I hope to resume blogging again soon on the following topics:

V - 1980s vs. 2010s - A more in depth examination of the original television story compared against that of the current one. I intend to focus on the difference of the Cold War cultural background of the original vs. the Global War or Terror cultural background of the current one. I also intend to contrast how the more recent Battle Star Galactica & V address the political and cultural events of the last decade. Finally, I would like to do a comparison of the

The Upcoming Congressional Midterm Elections

Some Intriguing Political Developments in Alabama - A Political Upset No One Saw Coming.

Caprica: Predicting The Singularity & Coming to terms with AI

The pilot episode of Caprica presents two different, related concepts emerging into the scientific mainstream: that of truly human-level (or beyond) artificial intelligence, and that of The Singularity - what happens when AI surpasses man and man and machine can merge. In the opening scenes we meet Zoe Graystone's simulacrum: an artificial intelligence resembling Zoe, possessing all of her memories, abilities and interests. At first the Simulacrum Zoe is a little buggy, but those bugs seems to work themselves out once Actual Zoe dies in a suicide bomb orchestrated by the Soldiers of the One, a monotheistic cult railing against a polytheistic society that is permissive and seems devoid of the concepts of good and evil. Simulacrum Zoe is even covered in blood after Actual Zoe dies in the bombing and tells protagonist priestess in training Zoe that she "felt" the death of Actual Zoe, as if they somehow were connected.

The theme of more limited artificial intelligence is introduced after we meet Simulacrum Zoe, but before the post-bombing encounter with SZ. The theme of limited artificial intelligence emerges at a weapons lab demonstration of primitive Cylon technology. The Cylon fails to hit, or even adequately aim at, its target during the demonstration due to the lack of a "meta-cognitive processing" MCP unit, which will become more central to the early episodes of the series.

Daniel Graystone, father of Zoe, discovers Simulacrum Zoe and the computer program Actual Zoe used to create SZ. He obsesses over obtaining the MCP from a rival corporation to use not only in the improvement of the Cylons, but also in downloading the Simulacrum Zoe's personality into a Cylon body. The first goal is exceeded wonderfully for Daniel, resulting in a military contract and the side-effect of changing the color of the Cylon scanner eye from white to red. The second goal has unintended consequences for Daniel, and results in the potential loss of Simulacrum Zoe's personality when tried. However, it seems to set up the development of a system used to create 7 of the 12 Cylon models in Battlestar Galactica

The show seems to imply that AI and The Singularity emerged from different programming and technological techniques. It also explores the emotional range of responses humans get from interacting with a Singularity-level AI, which range from disbelief to horror. Acceptance is only a reaction that develops over time.

Apparently I'm a Cylon Infiltrator

I love Battlestar Gallactica. Best re-imagining of any TV series ever! Plus, it's chock full of conspiracies and aliens (ok evolved artificial intelligences) - two of my favorite things.

Actually went to the website and took the personality test. I'm a guerilla warrior resistance leader fighting for freedom. Pretty much the values I love and believe in - I would've loved to have fought in the Revolutionary War - establishing an entirely new government (New World Order - spooky!) unlike anything existing at the time and based on the innate nobility and equality of all men instead of divine right.

Though I wouldn't be a secret double agent unlike Sam or Gen. Arnold.

Is Battlestar Galactica Racist?

The mini-marathon last night got me thinking about this. And I'm not talking about the complex human-cylon relationship - I'm talking about in real American terms. The original series had a much better integrated cast and black characters that were greater parts of the show. Does adding central hispanic and asian characters really make up for the lack of black actors on the show?

Out of the entire human population in the civilian and military fleets, there have only been two black characters. One completely minor, and the other the subject of an entire episode (which exposed Admiral Adama's abandonment of him in Cylon territory previously.

How do we even attempt to measure racism in a science fiction show? Is it just that there weren't that many blacks that escaped Caprica, the colonies and New Caprica? Earth presumably represents the Atlantis-like 13th Colony, and those settlers came from the same places as the other members of the fleet. We know empirically that earth has a diverse racial/ethnic mix (which are meaningless terms outside of politics - biology and genetics have demonstrated that there is more variation within racial groups, than there is between them).

At least the show makes up for the extreme lack of diversity by beginning to address class issues that exist on the fleet and its original (now destroyed) civilzation.

A Blow Against the Mercury Causes Autism Conspiracy

Many celebrities and influential people have concluded that mercury (poisoning) is the cause of autism. In fact, Congressman Burton has been heavily involved with the campaign to link the two and used his Chairmanship of the Government Reform Committee as a pulpit to preach that view.

It now turns out that he was wrong.

Minus one for the Autism Conspiracy.

Conspiracy Entertainment 2006-2007

This TV season has been especially good for conspiracy/paranoia entertainment, and featured three new shows. First we had the now-cancelled Vanished which looked to be a cross between the Da Vinci Code, Numb3rs and the X-Files (just the conspiracy of powerful string pullers, not the alien or supernatural aspects. It was quite good until cancellation. Next we had The Nine, which definitely had conspiratorial elements to it. Finally we had Jericho, the only of the three to survive. Possibly, because it centered on a very real fear: nuclear attack and what happens when communications collapses (not to mention the government).

And of course, the inimitable 24 which has returned with a fifth conspiratorial nightmarish day for Jack Bauer.

Of these four, the only two which are still on are ones that explicitly address the threat of terrorism, much in the same vein that Cold War films and TV mini-series were popular in the '80s became hits. It seems conspiracy's that ensnare government officials in non-terrorist activits is ok for our downtime reading, but the anti-terror alpha waves better be conveying terrorist-related conspiracies.

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PS Threshold made a short return on the SciFi Channel, but one year of episodes is not really enough to become a regular show without the creation of new episodes.

Battlestar Gallactica's Occupation/Resistance Theme

Thas been the occupation/resistance theme on Battlestar Gallactica, that began with a series of webisodes over the summer to give the fans small fixes until the return of the show.

What was compelling about that storyline is that it showed how a conspiracy (the resistance) forms and how its aims are not always domination at first but distraction. During that storyline Col. Tighe gins up the resistance to harass the occupier Cylons and maintain morale until Admiral Adama can return with the Battlestar and stage the rescue.

Additionally, others have written about the above story line being a critique of the US occupation of Iraq. That may be an interesting post-modern point. I enjoy that critique, but still want our troops to succeed in their mission of pacifying Baghdad and restoring enough order for the Iraqi government to finish the job. Therefore I choose to view that storyline as fitting into the very American meme of David defeating Goliath in an epic struggle (e.g., The Revolution, Civil War and WWII) to achieve/retain freedom.